"Rape of the Lock", a Satire.

The larger-than-life or heroic numbers, as countersinkd by M.H. Abrams, is a work that meets at least the following criteria: it is a extensive verse narrative on a adept subject, told in a formal and elevated style, and centered on a heroic or quasi- perceive figure on whose actions define the dowery of a tribe, a terra firma or the gracious race (76). He also tells us that because of its elevated style, distance and sheer magnificence, on that point are only about fractional a twelve of such numberss of indubitable greatness. Abrams goes on to list roughly of the conventions found within an heroic meter poem: the narrator begins with his note or desperate question invoking a muse to his avail he describes heightened and illustrious characters who often hold up divine lineage he establishes great battles or tasks oer which the heroical hero must triumph to secure the tribe, nation or even race he/she is trying to defend. A mock- heroical invokes analogous co nventions to a very different subroutine. Abrams defines the mock-epic or mock-heroic poem as that type of parody which imitates, in a keep up way, both the elaborate form and the ceremonious style of an epic genre, merely applies it to narrate at length a hackneyed or tiny subject matter (27). One of the most(prenominal) mightily examples of a mock-epic is Alexander Popes The ravishment of the Lock.

The poem is a humorous, mock-epic parodying the vanities and loafing of the eighteenth-century high guild in Britain. In his poem The Rape of the Lock, Pope not only uses traditional epic conventions but als o inverts them to create a mock epic for the! purpose of satirizing his society. This method of inversion underscores the ridiculousness of a society in which value has lost all proportion and the trivial has pay back paramount. The strategy of... If you want to get a full essay, monastic order it on our website: OrderCustomPaper.com

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